Classica et Mediaevalia is an international periodical with articles written by Danish and foreign scholars. They are mainly published in English, but sometimes in French and German as well. From a philological point of view, the periodical deals with Classical Antiquity in general and topics such as history of law, philosophy, and medieval ecclesiastic history. It covers the period from Greek-Roman Antiquity until the Late Middle Ages. Contents include: 'Reflecting (In)Justice' in the Republic's Line and Cave: Thrasymachus and Plato's Level of eikasia * Quorum in the People's Assembly in Classical Athens * Nektanebo in the Vita Aesopi and in Other Narratives * Chalcidian Politicians and Rome between 208 and 168 BC * Rewriting Dido: Ovid, Vergil and the Epistula Didonis ad Aeneam (AL 71 SB) * Seneca on Platonic Apatheia * Octavia and Renaissance Tragedy from Trissino to Shakespeare * A Dramatic Afterlife: The Byzantines on Ancient Drama and Its Authors * Nine Unidentified Verses in the

As elsewhere in Northern Europe, Latin literature, prose as well as poetry, ? flourished in Denmark in the last half of the sixteenth and the first half of the seventeenth centuries. In accordance with Renaissance ideals this was a classicizing literature, covering a range of different genres and subjects; ideologically it was firmly based in the Lutheran reformation and decidedly supported the newly strengthened monarchy. Prof. emir. Minna Skafte Jensen was one of the first to explore this field. Ever since the beginning of the 1980s she has been the leading figure within the field of Danish Neo-Latin literature ? through her own research, as a leader of research projects, and as a source of inspiration for other scholars. The articles collected here offer sensitive readings with an eye to intertextual allusions as well as to the sociological context.

Classica et Mediaevalia is an international periodical, published annually, with articles written by Danish and international scholars. The articles are mainly written in English, but also in French and German. The periodical deals from a philological point of view on classical antiquity in general and topics such as history of law and philosophy and the medieval ecclesiastic history. Classica et Mediaevalia covers the period from the Greco-Roman Antiquity until the Late Middle Ages. Volume 56 contents include: The Habit of Subsidization in Classical Athens: Toward a Thetic IdeologyA Note on Aristophanes, Clouds 76A Polis as a Part of a Larger Identity Group: Glimpses from the History of LepreonA Monger of Red Herrings: Plato's Method of Dead Ends in Politicus 257a-275cEpicurean GodsThe Contribution of Ars and Remedia to the Development of Autobiographical FictionHow Shall We Comprehend the Roman I-Poet? A Reassessment of the Roman Persona-TheoryJuvenal 3.146: A New Interpretati

Classica et Mediaevalia - Volume 49

Classica et Mediaevalia - Volume 48

This is an international annual periodical issued in book form. Articles are mainly published in Englich but the reader will also find French and German articles. From a philological point of viewe, this periodical deals with Classical Antiquity in general and covers topics such as history of law, philosohy and the medieval ecclesiastic history. The time period covered is from the Graecco-Roman Antiquity until the Late Middle Ages.

It is unknown, of course, who wrote the Iliad and the Odyssey, since, in general, no reliable contemporary description of how these two epics came into being is to be found. Such sources as there are - first and foremost, the two poems themselves - must be interpreted in a comparative framework built on experience from societies in the modern world that are in some respects similar to archaic Greece in order to reach a coherent picture of the process. The oral-formulaic theory, formed by Milman Parry (1902-1935) and Albert B. Lord (1912-1991), not only revolutionized Homeric studies, but also had an impact on anthropology and folklore. This led to an increased interest in oral epic traditions, and fieldworkers changed their methods towards a focus on composition in performance. The individual singer and his handling of the tradition gained importance. When possible, more than one performance of the "same" song was recorded - by the same singer on different occasions or by different singers - and interaction with the audience was documented. Traditions of the oral epic still exist in many parts of the world, and, during recent decades, quite a few of them have been documented and analyzed by innovative fieldworkers, leading to an overwhelming expansion of accessible knowledge of how oral epic works. Writing Homer explores what this means to the Parry-Lord-theory in general and the 'Homeric Question' in particular. The relationship between the Iliad, the Odyssey, and the Homeric Hymns, with the tradition of which they are part, can now be described with much more precision than before. It turns out that there is nothing unusual in very long oral epics; what is unusual is that such poems are recorded in writing. The process by which this must have taken place is discussed in detail. Old problems, such as the fact that neither illustrations of Trojan stories nor early 'quotations' agree with the written poems, can be solved. Writing Homer achieves a deeper understanding of the methods at work in the oral epic for building a likely social context of the Iliad and the Odyssey, and especially for speculating on the circumstances of the writing of the two great poems. Long oral narratives are flexible, and accordingly, the dictation to scribes that must be at the origin of the texts, which have been preserved in writing to this day, was a process of the utmost importance as was the composition in performance of the Iliad and the Odyssey. Writing Homer is directed at classical scholars, but will also be of interest to a much broader readership: folklorists, anthropologists, and whoever enjoys reading Homer in Greek, as well as in translation.